Doug Morton

$52,000.00

Douglas Gibb (Doug) Morton
(Canadian, 1926–2004)
Ascending Orange
1965
Acrylic on canvas
Canvas: 84 × 57 in. (213.4 × 144.8 cm)
Framed: 84.5 × 57 in. (214.6 × 144.8 cm)
Inscriptions: Inscribed in pencil by the artist on canvas reverse: "TOP / ASCENDING ORANGE / 1965 / ACRYLIC / D G MORTON / REGINA"; Stretcher bar also features a hand-painted corrector inscription reading "ACRYLIC" in black marker.
Provenance: Private Collection; Mayberry Fine Art (Winnipeg/Toronto), official inventory label affixed to stretcher bar verso.

Description

Executed in 1965, Ascending Orange is a monumental vertical abstract painting by Douglas Gibb Morton. The composition is constructed from interlocking, non-representational graphic shapes using a high-contrast palette of purple, yellow, light blue, deep red, teal, and soft cream tones, set against a warm, muted orange-brown background.

The structural arrangement relies on flat, hard-edged and curved boundaries that reject traditional depth or painterly illusionism, focusing instead on how bold form and flat color fields interact across a substantial surface area. This canvas comes from Morton’s core Regina period. Works executed during the mid-1960s represent his most critical contribution to Western Canadian post-painterly abstraction and remain highly sought-after by public institutions and private collectors.

Major Accolades & Recognition

  • Member of the historic Regina Five, achieving national prominence in the National Gallery of Canada's landmark 1961 exhibition Five Painters from Regina

  • Regular participant and organizer of the historic Emma Lake Artists' Workshops from 1957 to 1965

  • Elected Full Member of the Royal Canadian Academy of Arts (R.C.A.)

  • Subject of a major career retrospective organized by the Art Gallery of Greater Victoria in 1994

  • Served as a prominent arts administrator, curator, and educator at the University of Saskatchewan, York University, and the University of Victoria

Selected Permanent Collections

  • National Gallery of Canada (Ottawa, ON)

  • Art Gallery of Ontario / AGO (Toronto, ON)

  • Winnipeg Art Gallery / WAG (Winnipeg, MB)

  • MacKenzie Art Gallery (Regina, SK)

  • Remai Modern (Saskatoon, SK)

  • Art Gallery of Greater Victoria (Victoria, BC)

  • Goldfarb Gallery / York University Art Collection (Toronto, ON)

Douglas Gibb (Doug) Morton
(Canadian, 1926–2004)
Ascending Orange
1965
Acrylic on canvas
Canvas: 84 × 57 in. (213.4 × 144.8 cm)
Framed: 84.5 × 57 in. (214.6 × 144.8 cm)
Inscriptions: Inscribed in pencil by the artist on canvas reverse: "TOP / ASCENDING ORANGE / 1965 / ACRYLIC / D G MORTON / REGINA"; Stretcher bar also features a hand-painted corrector inscription reading "ACRYLIC" in black marker.
Provenance: Private Collection; Mayberry Fine Art (Winnipeg/Toronto), official inventory label affixed to stretcher bar verso.

Description

Executed in 1965, Ascending Orange is a monumental vertical abstract painting by Douglas Gibb Morton. The composition is constructed from interlocking, non-representational graphic shapes using a high-contrast palette of purple, yellow, light blue, deep red, teal, and soft cream tones, set against a warm, muted orange-brown background.

The structural arrangement relies on flat, hard-edged and curved boundaries that reject traditional depth or painterly illusionism, focusing instead on how bold form and flat color fields interact across a substantial surface area. This canvas comes from Morton’s core Regina period. Works executed during the mid-1960s represent his most critical contribution to Western Canadian post-painterly abstraction and remain highly sought-after by public institutions and private collectors.

Major Accolades & Recognition

  • Member of the historic Regina Five, achieving national prominence in the National Gallery of Canada's landmark 1961 exhibition Five Painters from Regina

  • Regular participant and organizer of the historic Emma Lake Artists' Workshops from 1957 to 1965

  • Elected Full Member of the Royal Canadian Academy of Arts (R.C.A.)

  • Subject of a major career retrospective organized by the Art Gallery of Greater Victoria in 1994

  • Served as a prominent arts administrator, curator, and educator at the University of Saskatchewan, York University, and the University of Victoria

Selected Permanent Collections

  • National Gallery of Canada (Ottawa, ON)

  • Art Gallery of Ontario / AGO (Toronto, ON)

  • Winnipeg Art Gallery / WAG (Winnipeg, MB)

  • MacKenzie Art Gallery (Regina, SK)

  • Remai Modern (Saskatoon, SK)

  • Art Gallery of Greater Victoria (Victoria, BC)

  • Goldfarb Gallery / York University Art Collection (Toronto, ON)